and if you are in N.Y. between April 29 - May 29, 2010
Check out Scott Campbell's - If You Don't Belong, Don't Be Long
109 Crosby Street (between Prince and Houston) New York / NY / 10012
For more info Check THIS out./Mr. J
For more info Check THIS out.



EVOL is a berlin based street artist that transforms banal urban surfaces, into miniature architectural surfaces through pasting. using pasted paper, EVOL transforms electric boxes, small planters and other geometric city forms, into miniature apartment buildings and other structures. each piece of paper is printed with a repetitive pattern of flat gray walls dotted with plain window frames. once applied to a surface, the paper transforms the form into small building that EVOL often adorns with small characters. EVOL performs this process within different cities and has even been commissioned to do installations in galleries, where he was created entire blocks of miniature buildings.
The 'Johnny Cash Project' is basically a global art project centered around the Man in Black. The project website explains it this way:



Jason Jägel was born in 1971 in Boston, Massachusetts. He received degrees from California College of Arts and Crafts (BFA 1995) and Stanford University (MFA 2002). A monograph of his work entitled, Seventy-Three Funshine (2008), was created with an accompanying ten-inch vinyl record with music by Madlib and published by Electric Works, San Francisco. Jägel has been featured in numerous solo and group shows since 1995 including those in New York, Tokyo, Copenhagen, Milan, Barcelona, Los Angeles, Seattle, New Orleans and more. Jagel's work appears in the collections of The Museum of Modern Art, The San Francisco Museum of Modern Art, The UCLA Hammer Museum and the Portland Museum of Art, among others. Jason lives with his wife and two daughters in San Francisco.
What Is Print Society? 

Conceived by Kitsune Noir and Furni, Neverend is a series of clocks created in conjunction with a select group of incredibly talented artists and designers. Each piece features artwork that is laser-etched onto a 3/8” thick piece of high quality russian birch plywood to create a bold graphic interpretation of the quintessential wall clock. For the first edition, Kitsune Noir and Furni have teamed with NY designer Dan Funderburgh.



Sean Mahan's paintings first began surfacing on independent/punk/hardcore record covers in the early 90's. Initially he worked with the band 12 Hour Turn who's beautifully insurgent style set Sean's paintings into the context of dissident thought. This relationship opened the door to working with other musicians within the genre like Daitro, The Dauntless Elite, Del Cielo, among others. Along with painting for records, Sean is a prolific fine artist. His current series of paintings of children on wood are of a sweeter conception, yet don't shy away from the complexity of character which reflects in the quiet and fragile expression of his subjects. His portraits are greatly influenced by his father, Gary Mahan, who's paintings, although of a more academic nature, express a similar gentleness.



BIO: